Listening to Van Morrison’s Astral Weeks is exactly like living in the most painful, beautiful dream you’ve ever had. Very James Joyce. Very makes me want to dance down the metro aisles and also lay down in the middle of the road and cry and also jump into some sea, any sea, and run down an empty street with a lover or with a friend or alone, laughing until the end of time.
Kildare, Ireland 2016
“Sweet Thing” means something different every year, but has been an especially prominent song in my life lately and often played on repeat (sorry not sorry, neighbor). It’s like being a child again. It’s like falling in love with life, with yourself, with someone new after two-million heavy nights. Like getting younger every year. Like looking at the same old world you’ve always lived in and seeing it for the first time again. Like not looking for answers, “being satisfied not to read in between the lines.” Like surrendering to a gorgeous madness. “Hey, it’s me, I’m dynamite and I don’t know why.”
Today’s post is sponsored by my love for all things Philly and silly. It is also an effort to avoid talking about the fact that THE WORLD IS IN A TERRIBLE STATE OF CHASSIS (here’s some Irish love).
Saturday night after I returned home was one of many karaoke nights at Adobe. We walked in shortly before last call, mostly because we’d lost track of time while talking about morticians. A short Italian guy was half way through singing “Burning Down the House” to a crowd of unimpressed, totally loaded South Philly natives and hipsters. And I was thrilled to be there–I mean it. The first week or so after I return from Spain is always a whirlwind of bagel consumption and love for all the linguistic subtlety I probably miss when speaking Spanish.
A woman in her bedroom, her laptop perched upon two plastic organizers and placed atop a dresser, her bum sat upon a half-broken chair, the half-broken chair placed in front of her dresser, her body positioned al estilo side-saddle so as to avoid hitting her knees on the dresser’s also half-broken handles. The window open, thick July air pulsing in.
People tell me that these “hermit stages” are a hallmark of every introvert’s life. I don’t believe I’m a complete introvert, though. Some days I wake up like Thoreau at Walden. Others, I spring out of bed like Ethel Mermen doing the can-can. When the Ethel phases end, I can’t stand my own voice. That’s when I have to retreat into my shoddy study and listen to instrumental music only.
It’s also during these periods that I suffer from paranoia. Before you call the psych ward, just listen to my reasoning: the internet knows us better than most of our friends do. Is that not both morti- and terri- fying?